auditions

Ride the Wave: Navigating the Ebbs and Flows of the Industry with Confidence with Kelly Moscinski

Expectation management is the key to confidence. Slow is normal. Believe it or not, 40% of auditions never get booked or produced. Mindset Reset: We then ran through a confidence exercise where we examined the things that help us feel more (or less) confident in our careers. One of the factors everyone agreed helped us

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Arielle Negrin, Promo and Trailer Agent at Atlas Talent

This was an informal session where Arielle gave us background on the state of the promo and trailer genres in VO, and answered our questions before we read scripts for her. She works in the L.A. office. Auditioning She picks who she sends auditions to. Promos: Commercials: Trailers: The promo portion begins at 00:41.

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Go From No to Whoa in Commercial Auditions with Kelly Moscinski

Kelly is a casting director at Voicecaster. They receive 80% non-union (NU) work. She asked, “Why do you book?” It’s because you found the connection. Then you perform with confidence. When you read the specs and it says “conversational,” what does that mean? Relatable, with personality. Imperfections and flaws also contribute to relatability. So bring

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Damon Alums, The Urban Legend (ColorVO Collective series)

Damon Alums, the Urban Legend of voiceover, celebrated his birthday with me on the podcast. It’s been ages since I interviewed a man on this show, but I had to do it! In this first of my ColorVO Collective series highlighting talented, unknown Black voice actors, we had a blast talking about doing VO part-time,

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Start Doing Voiceover Full-Time with Mia Bankston (ColorVO Collective series)

In This Episode… Key Points Gradually start doing more voiceover work during the hours when clients need you to be available. Ask for some half days off to do sessions, auditions and email clients. If you do shift work, try to switch shifts with co-workers. Negotiate with your employer to work earlier and leave earlier

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